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engineer kevin feazey
london uk
kevin feazey engineer london  


Based out of Pinna Recording Studios Shoreditch London, Cheif Engineer Kevin Feazey began his engineering experiments at the age of 14 making multitrack recordings with two tape recorders and a £20 guitar. After playing in numerous bands as a guitarist, he finally decided to use his studio experience and make a career in audio engineering. Countless recordings later he decided to take this new found talent a step further and began studying for an Audio Engineering Diploma at the SAE Institute in London, graduating in 2004.

Since then he has engineered, programmed, produced and mixed for projects spanning many genres (rock, pop, folk, hip-hop, electro, metal and even opera) and is known for establishing a relaxed atmosphere to work in. His skill as a guitarist has also featured on several of these projects. Kev has also been in demand as a location sound recordist and mixer for numerous TV and film projects working at home and abroad.

studio equipment available      
 
studio:

45 feet x 30 feet Large Live Room with 2 further large rooms and 2 booths.

control room and lounge:
26 feet x 22 feet. Own private lounge with TV, Sky Digital, video, hifi system and broadband.
console:
SSL 4056E with G-Series automation, 56 channels, total recall, custom black knob EQ. Recently refurbished.
monitors:
Eastlake TM3, Crown/H&H Amps, White EQ, Yamaha NS10M or NS10M Studios
mic amps:
8 x Neve 33415, 2 x API 3124+ (8 channels), UA 2-610 (2 channel valve), George Massenberg Mic Pre (4 channels), Focusrite 115HD (2 channels)
multitracks:
ProTools HD2 24 in, 24 out, Otari Radar II 24 track digital, Otari MTR-90 24 track analogue
mastering:
Sony 2700 DAT, Panasonic SV3800 DAT, Ampex ATR100 ½” with Dolby SR/A
multi track
Digidesign Pro Tools HD3 Accel (over 200 plug ins) Digidesign Pro Tools HD3 Accel (over 200 plug ins) Emagic Logic, Digidesign 192 (x3), Apple G5 Power Mac
effects:
Lexicon 480L V4.0 software + LARC, Lexicon PCM70, Lexicon Alex, AMS RMX16, Yamaha SPX9000, 2 x Alesis Quadraverb, Eventide H3000SE, Roland Vocoder, Zoom 1201, Yamaha SPX90, EMT 140 Valve Plate, Ursa Major Space Station, BBE 422 Sonic Maximiser, AMS 1580S 6.4/1.6 + Dual Harmonisers, 2 x Roland SDE3000, Roland SDE 330 Space Delay, TC Electronics D-Two
dynamics:
Tubetech CL1B, 2 x Urei 1176, Neve 33609, Gates Sta Level Valve Compressor, A&D F769, 2 x DBX 160XT, BSS DPR402, 2 x DBX 263X De-Esser, 2 x Drawmer Dual Gates
eqs:
Focusrite 115HD (2 channels), EAR Valve EQ, 2 x Quad 8 (circa 1971), Pultec Filter
 
equipment (studio 2)        
studio:
40 feet x 15 feet Live Room with 2 neutral rooms and vocal booth
control room and lounge:  
18 feet x 14 feet with separate machine room. Own private lounge with T.V. and video.
console:  
Amek Rembrandt with total recall, virtual dynamics and 80 automated inputs in mix mode.
monitors:  
Eastlake TM3, Crown/H&H Amps, White EQ, Yamaha NS10M
mic amps:  
API 3124+ (4 channels), UA 2-610 valve, George Massenberg Mic Pre (2 channels)
muti tracks:  
ProTools HD2 24 in, 24 out, Otari Radar II 24 track digital, Otari MTR-90 24 track analogue
mastering:  
Sony 2700 DAT - Panasonic SV3800 DAT - Revox PR99 1/4 inch - Ampex ATR100 1/2 inch (subject to availability)
effects:  
Lexicon PCM80 - Lexicon 200 - Lexicon Alex - Eventide Instant Flanger - Eventide H3000SE - Roland RE-510 Tape Echo - Revox 1/4 inch - Watkins WEM Spring Reverb - EMT Valve Plate - 2 x Roland SDE3000A - Yamaha SPX900 - Alesis Quadraverb - Zoom Studio 1201
dynamics:  
2 x Neve 2254 Compressor/Limiter - 2 x Teletronics LA4 - Urei 1176 - Gates Sta Level Valve Compressor - 2 x DBX 160XT - DBX 160X - DBX 1066 Dual Compressor - DBX 266 Dual Compressor - 2 x DBX 263 De-Esser - Drawmer DS201 Dual Gate - Alan Smart SSL Type Stereo Compressor
equipment (studio 3)          
console:
Neve V1, 1985, 48 Channels With Flying Faders Automation
tape machines :  
Otari MTR 90 MK2
pro tools :  
Protools HD 24bit 96KHz, 24x ins 24x outs- analogue, 3x spdif,aesebu digital io's, Rosendahl Nanosync superclock generator, Protools sync i/o, Powermac G4 with 8xDVDR-WR
monitors:  
Quested HQ 410 active with 21” subs, Genelec 1030a active monitors, Yamaha NS10
processing:  
Amek/Neve 9098 Stereo Compressors x 2, Amek/Neve 9098 Mic Pre Eq, Avalon mic pre compressor eq's x2, Urei 1076LN Compressor x 2, Alan Smart CLI Stereo Compressor, Drawmer 1960 Stereo Tube Compressor, Autotune AVP1, ADR F700 RS Stereo Compressor, Dbx 160X Mono Compressor x 2, Dbx 160VU x 2, Dbx 902 De-esser x 2, Drawmer DS201 Dual Gates x 2, Valley Dynamite Stereo Compressor, Dbx 120 XP Sub Harmonic synth, Massenburg eq.
effects:  
EMT Plate Reverb, Lexicon PCM70, Lexicon Alex x 1, Lexicon Alex x 1, Eventide H3000 D/SX, Yamaha SPX90 x 1, Digitech GSP 2101, Bell BD 80 DDL, Thermionic Culture Vulture distortion, Zoom 1204.
midi:  
Powermac G4 running Cubase VST with Logic Audio Platinum, Rosendahl Nanosync superclock generator 5.5, Unitor 8 Mk 2, Atari STE 1040 Notater / Cubase software, Akai S3000XL & Iomega Zip drive, Roland JV1080, EMU Proteus 2, Alesis D4, EMU Vintage Keys,
keyboards and backline :  
Hammond C3 organ and Leslie cabinet, Fender Rhodes Stage 7, Hupfeld upright Piano, Schreiber upright Piano,
mics:  
Neumann U67, Neumann U87 x 2 Neumann KM184 x 2, Coles 3048 Ribbon Mics x 2, SE Electronics SE 3's x 2, AKG C12VR, Electrovoice RE20, Senheiser MD421 x 4, AKG D12, AKG 414 x 3, AKG D112 x 2, AKG 451 x 3, Shure SM57 x 3, Shure SM58 x 2, Tandy PZMs x 4, 5 X DT100 Headphones, 2 X DT150 Headphones,
soundsamples    
       

1
Sonny Track: Jimmy Two Times
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Sonny Track: In At The Deep End
       
contact  
   
Engineers Name: Kevin Feazey  
Address: Pinna Recording Studio: 34-38 Provost Street, Shoreditch, London, N1 7NG  
Tel: +44(0)7793 908 760  
Email: sonny@pinnaproductions.com  
 

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